Tonality quantifies the degree to which discrete tonal components are perceptible within a sound. Prominent tones in broadband noise significantly increase annoyance, which is why many noise regulations impose tonal penalties (Tonzuschlag) on products that emit clearly audible tones. Deepsona implements two standardized tonality assessment methods.
| Standard | Method | Scope |
|---|---|---|
| DIN 45681:2005 (+ Corrigendum 2006) | Determination of tonal components and the tonal adjustment (Tonzuschlag) for noise immission assessment | Stationary and quasi-stationary sounds |
| ISO/TS 20065:2022 | Objective method for assessing the audibility of tones in noise — Engineering method | Broadband and tonal noise from industrial and commercial sources |
Both methods begin with a high-resolution FFT of the input signal. Spectral peaks are identified as tone candidates if they protrude above the local broadband noise floor by a frequency-dependent threshold. The DIN 45681 method uses critical-band masking levels to determine audibility, while ISO/TS 20065 applies a prominence-ratio approach.
The prominence ratio (PR) quantifies how much a tonal component exceeds the surrounding masking noise within its critical band:
A tone is considered prominent when the prominence ratio exceeds a frequency-dependent threshold, typically between 6 dB (low frequencies) and 8 dB (high frequencies).
DIN 45681 defines the Tonzuschlag KT as an additive penalty in dB that is applied to the overall A-weighted sound pressure level to account for the increased annoyance caused by tonal content:
Here ΔLt is the level difference between the tonal component and the narrow-band masking noise, and Av is a frequency-dependent threshold value. The Tonzuschlag can range from 0 dB (no tonal penalty) to a maximum of 6 dB.
| Parameter | Options | Description |
|---|---|---|
| Standard | DIN 45681 / ISO/TS 20065 | Assessment method to apply |
| FFT Size | 4096 – 65536 samples | Frequency resolution; larger FFT provides finer resolution for separating closely spaced tones |
| Averaging | Linear / Exponential | Spectral averaging mode for time-varying analysis |
| Number of Averages | 1 – 100 | Number of spectral blocks to average (stationary analysis) |
| Frequency Range | 50 Hz – 10000 Hz | Analysis bandwidth; tonal detection outside this range is excluded |
| Signal Type | Stationary / Time-varying | Determines single-block or running analysis |
| Quantity | Unit | Description |
|---|---|---|
| KT | dB | Tonal adjustment (Tonzuschlag) per DIN 45681 |
| Tone Frequency | Hz | Center frequency of each detected tonal component |
| Tone Level | dB(A) or dB | Level of each detected tonal component |
| Prominence Ratio | dB | Tone-to-noise prominence for each detected tone |
| Tonality(t) | dB | Tonzuschlag vs Time trace for time-varying signals |
In time-varying mode, tone detection and Tonzuschlag computation are performed on a block-by-block basis. The resulting trace reveals:
Tonality is also available as a vs RPM variant. The result is a colour map in which the time axis of the vs Time analysis is replaced by the speed of rotation, so that the prominence ratio is shown over frequency and operating speed at once. A tonal order appears as a diagonal ridge, because its frequency is proportional to speed; a fixed-frequency tone appears as a horizontal ridge.
For the parameters shared with the other speed-resolved psychoacoustic analyses and for advice on reading the maps, see Psychoacoustics vs RPM.
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